Abrahamsson, Christian and Sebastian Abrahamsson (2007), ‘Culture Geographies in practice: In conversation with the body conveniently known as Stelarc’, Cultural Geographies, 14, 293-308

Akman, Kubilay (2006) ‘Orlan and the Work of Art in the Age of Hyper-mechanical Organic Reproduction’, International Journal of Baudrillard Studies, Volume 3, Number 1 (January 2006).

Alaszewski, Andy (2001), Review of ‘Body Modification’, Health, Risk & Society, Routledge, Vol 3, # 3.

Barkovic, Margaret, George Mason University, Virginia, USA

Buchanan-Oliver, Margo & Angela Cruz, The University of Auckland, New Zealand
The Body and Technology: Discourses Shaping Consumer Experience and Marketing Communications of Technological Products and Services

Bolt, Barbara, Colman, Felicity...Sensorium, Cambridge Scholars Publishing.

Botting,  Fred (2003), ‘Metaphors and Monsters’, Journal for Cultural Research, Volume 7, Issue 4, October, pages 339 - 365

Botting, Fred and Wilson, Scott (2002), ‘Morlan’, In The Cyborg Experiments: The Extension of the Body in the Media Age, (ed) Joanna Zylinska, Continuum, London and New York.

Brazil, Scott, Posthuman Essay

Caperna, Frances,  Skinning Textile Future ,  
Casey, Karen, Global Mind Project

Casey, Karen and Damien Smith, Global Mine Field, A Cybernetic Perspective,

Cook, Peta S. (2004), The Modernistic Posthuman Prophecy of Donna Haraway, University of Queensland. Transhumanist improvements to humanity will surpass the annoying restrictions of biological and organic human evolution to facilitate a posthuman condition of variant ‘postbiologicalism’.

Amiran, Eyal (2010) ‘The Rhetoric of Digital Utopia after Sade: Utopian Architecture and the Static Subject of Digital Art’, Discourse, April 1, 2010 

Alan Dix, Jennifer G. Sheridan, Stuart Reeves, Steve Benford, and Claire O’Malley (2005), ‘Formalising Performative Interaction’, Department of Lancaster University, Embedded interactive systems.

Forbes, Amy (2003), Design for Industry, Contextual and Critical Studies essay.

Giannach, Gabriella (2007), ‘Review of Stelarc: The Monograph’, Contemporary Theatre Review, Volume 17, Issue 3 August, pages 463 – 470.

Giannach, Gabriella (2004), Virtual Theatres, Routledge.

Guerra, Roberto 'Transhumanism and Futurism of the Will'  H+ Magazine

Hege, Charlotte Faber (2007), ‘Between Art, Aesthetics and Bioethics:GFP Bunny and Other Projects’, University Library of Trondheim, NTNU, NSE Conference: The Limits of Aesthetics 31.5 – 3.6. Aarhus.

Holden, Sarah (2009)

Jerslev, Ann. The Body as Design Project in an‘Order of Pure Decision’
Transformable Bodies in Makeover Showsand Steven Meisel’s Fashion Photography:

Jones, Y. (2010) PhD thesis University of Southhampton:

Knafo, Danielle and Kenneth Feiner. (2005) Unconscious Fantasies and the Relational World, Hillsdale, NJ, Analytic Press.

Kennedy, Helen W. (2004), Review of ‘The Cyborg Experiments: The Extensions of the Body in the Media Age’, Brit J Aesthetics 2004 44: 106-109; doi:10.1093/bjaesthetics/44.1.106.

Kouvaras, Linda Ionna (2013) Loading the Silence: Australian Sound Art in the Post-Digital Age, ebook.

Arthur Kroker, ‎Marilouise Kroker (2008) Critical Digital Studies: A Reader, University of Toronto Press, p.20

Kunst, Bojana (2002), ‘Strategies of Subjectivity in Contemporary Performance Art’. Maska Performance Territories, 2002, Year. XVII, No. 74-75, p. 10-14, 77-80.

 Li-ching Ma: Phd, My body, my face my art....National Taiwan University.

Malacrida, Claudia and Jacqueline Low (eds), (2008).  Sociology of the Body: A Reader, Oxford University Press.
Malacrida Claudia, Jacqueline Low Sociology of the Body: A Reader – Oxford University Press. Part XVI: Postmodern Bodies (Sacrificial Body of Orlan)

Middleton, Steven (2002), ‘The prosthetic head’, Paper delivered at the Vital Signs Conference, RMIT, Melbourne.

Mjhancock (Kitchener, ON, Canada: Review of  Stelarc: The Monograph

Nayar, Pramod K, ‘No Pain Like This’, Culture Machine

Networked Performance blog (2005)

Parsons the new school for design

Perona, Francesca, Skinning Future Textiles, MA thesis, Gold, UK University, 2012.

Reagan, Trudy Myrrh. (2006). ‘The Delights of Dorkbot’, Ylem Journal, Artists Using Science and Technology, vol. 26 - no. 2.

Scott, Dorothy Barren,
Edward Sheer, Review of Stelarc: The Monograph, Culture Machine, United Kingdom,

Sone, Yugi  ‘Phantom’ Puppetry in Stelarc’s Work,  Australasian Drama Studies, October, 2007.

Stelarc, ‘CTheory Live: STELARC in conversation with Arthur & Marilouise Kroker’, April 20, 2006.

Styles, Penne ‘Whose Afraid of Designer Babies’, ATOM, Melbourne, Australia. 

Tessin, Stephanie (2007). Visions of Excess: Orlan's Operational Theater. MA Thesis, Florida State University,

THPFKT, Blog entry November 18, 2012.

Tofts, Darren: rhizomes.17 winter 2008 ‘Keep Your Virtual Hands Off Me! Paranoia, Affect and Influencing Machines’.

Van Oorschot, Irene, ‘Dissecting the Self: The Reincarnations of Saint-Orlan,

Verhoeven, W. (2010).  ‘A Degree In Humanity: Artificial Humanity and its Effect on Our Self-Image in Blade Runner and Edward Scissorhands’. Rijksuniversiteit Groningen Master Dissertation,

Vollert, Janis, thesis University of Mainz (2012)

Watcher, Phyllis E, (2001)

Wen-Ling Tseng, Masters Thesis, National Chung Hsing University, China, 2007

Posthumanism: A Theory of Subjectivity, face book

Digital Art History blog:

White, Paul John - blog, 28/01/2010 Researching the uncanny.

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