AUTHORS THAT CITE OR REFERENCE MY PUBLISHED WRITING

AN EASY WAY OF FINDING AUTHORS THAT CITE MY WRITING MAY BE LOCATED BY GOING INTO GOOGLE SCHOLAR. Begin by clicking on this link

 Abrahamsson, Christian and Sebastian Abrahamsson (2007), ‘Culture Geographies in practice: In conversation with the body conveniently known as Stelarc’, Cultural Geographies, 14, 293-308

Akman, Kubilay (2006) ‘Orlan and the Work of Art in the Age of Hyper-mechanical Organic Reproduction’, International Journal of Baudrillard Studies, Volume 3, Number 1 (January 2006).

Alaszewski, Andy (2001), Review of ‘Body Modification’, Health, Risk & Society, Routledge, Vol 3, # 3.

Avant-Guarde Musings: http://www.dorothybarenscott.com/2011/03/quick-compare-carnal-art-of-lady-gaga.html

Barkovic, Margaret, George Mason University, Virginia, USA

http://www.mbarkovic.com/portfolio/type.html

Buchanan-Oliver, Margo & Angela Cruz, The University of Auckland, New Zealand

The Body and Technology: Discourses Shaping Consumer Experience and Marketing Communications of Technological Products and Services

http://www.acrwebsite.org/volumes/v36/NAACR_vol36_23.pdf

Bolt, Barbara, Colman, Felicity...Sensorium, Cambridge Scholars Publishing.

Botting,  Fred (2003), ‘Metaphors and Monsters’, Journal for Cultural Research, Volume 7, Issue 4, October, pages 339 - 365

Botting, Fred and Wilson, Scott (2002), ‘Morlan’, In The Cyborg Experiments: The Extension of the Body in the Media Age, (ed) Joanna Zylinska, Continuum, London and New York.

Brazil, Scott, Posthuman Essay

http://www.scribd.com/doc/32486776/b00105047-Posthuman-Essay-2010

Caperna, Frances,  Skinning Textile Future ,www.francescaperona.com/.../Francesca_Perona_Skinning_textile_future  

Casey, Karen, Global Mind Projecthttp://www.globalmindproject.com/gallery/

Casey, Karen and Damien Smith, Global Mine Field, A Cybernetic Perspective,
 http://ses.library.usyd.edu.au/bitstream/2123/9759/1/globalmindfield.pdf


Cook, Peta S. (2004), The Modernistic Posthuman Prophecy of Donna Haraway, University of Queensland. Transhumanist improvements to humanity will surpass the annoying restrictions of biological and organic human evolution to facilitate a posthuman condition of variant ‘postbiologicalism’.

Amiran, Eyal (2010) ‘The Rhetoric of Digital Utopia after Sade: Utopian Architecture and the Static Subject of Digital Art’, Discourse, April 1, 2010 

 http://www.readperiodicals.com/201004/2306437951.html#ixzz23HYgGrOY

Alan Dix, Jennifer G. Sheridan, Stuart Reeves, Steve Benford, and Claire O’Malley (2005), ‘Formalising Performative Interaction’, Department of Lancaster University, Embedded interactive systems.

Forbes, Amy (2003), Design for Industry, Contextual and Critical Studies essay.

Giannach, Gabriella (2007), ‘Review of Stelarc: The Monograph’, Contemporary Theatre Review, Volume 17, Issue 3 August, pages 463 – 470.

Giannach, Gabriella (2004), Virtual Theatres, Routledge.

Guerra, Roberto 'Transhumanism and Futurism of the Will'  H+ Magazine

Hege, Charlotte Faber (2007), ‘Between Art, Aesthetics and Bioethics:GFP Bunny and Other Projects’, University Library of Trondheim, NTNU, NSE Conference: The Limits of Aesthetics 31.5 – 3.6. Aarhus.

Holden, Sarah (2009) http://objectifiedbodies.blogspot.com.au/2009/04/subject-of-sensory-prostheses-is.html

Jerslev, Ann. The Body as Design Project in an‘Order of Pure Decision’

Transformable Bodies in Makeover Showsand Steven Meisel’s Fashion Photography: http://www.nordicom.gu.se/common/publ_pdf/319_04%20jerslev.pdf

Jones, Y. (2010) PhD thesis University of Southhampton:

http://eprints.soton.ac.uk/165501/3.hasCoversheetVersion/1a_post_viva_21.pdf

Knafo, Danielle and Kenneth Feiner. (2005) Unconscious Fantasies and the Relational World, Hillsdale, NJ, Analytic Press.

Kennedy, Helen W. (2004), Review of ‘The Cyborg Experiments: The Extensions of the Body in the Media Age’, Brit J Aesthetics 2004 44: 106-109; doi:10.1093/bjaesthetics/44.1.106.

Kouvaras, Linda Ionna (2013) Loading the Silence: Australian Sound Art in the Post-Digital Age, ebook.

Arthur Kroker, ‎Marilouise Kroker (2008) Critical Digital Studies: A Reader, University of Toronto Press, p.20

Kunst, Bojana (2002), ‘Strategies of Subjectivity in Contemporary Performance Art’. Maska Performance Territories, 2002, Year. XVII, No. 74-75, p. 10-14, 77-80.

 Li-ching Ma: Phd, My body, my face my art....National Taiwan University.

Malacrida, Claudia and Jacqueline Low (eds), (2008).  Sociology of the Body: A Reader, Oxford University Press.

  

Malacrida Claudia, Jacqueline Low Sociology of the Body: A Reader – Oxford University Press. Part XVI: Postmodern Bodies (Sacrificial Body of Orlan) http://www.oup.com/us/catalog/he/subject/Sociology/SocialInequality/SociologyoftheBody/?view=usa&sf=toc&ci=9780195425482

Middleton, Steven (2002), ‘The prosthetic head’, Paper delivered at the Vital Signs Conference, RMIT, Melbourne.

Mjhancock (Kitchener, ON, Canada: Review of  Stelarc: The Monograph

http://www.goodreads.com/review/show/146183062

Nayar, Pramod K, ‘No Pain Like This’, Culture Machine http://culturemachine.tees.ac.uk/Reviews/rev6.htm

Networked Performance blog (2005) http://www.turbulence.org/blog/archives/001611.html

Parsons the new school for design  http://adht.parsons.edu/news/2013/12/students-respond-to-momas-design-and-violence-site/

Perona, Francesca, Skinning Future Textiles, MA thesis, Gold, UK University, 2012. http://www.doc.gold.ac.uk/~ma101fp/Francesca/PERONA_FRANCESCA_ESSAY.pdf

Reagan, Trudy Myrrh. (2006). ‘The Delights of Dorkbot’, Ylem Journal, Artists Using Science and Technology, vol. 26 - no. 2.

Scott, Dorothy Barren, http://www.dorothybarenscott.com/2011/03/quick-compare-carnal-art-of-lady-gaga.html

Edward Sheer, Review of Stelarc: The Monograph, Culture Machine, United Kingdom, http://culturemachine.tees.ac.uk/Reviews/rev61.htm

Sone, Yugi  ‘Phantom’ Puppetry in Stelarc’s Work,  Australasian Drama Studies, October, 2007.

Stelarc, ‘CTheory Live: STELARC in conversation with Arthur & Marilouise Kroker’, April 20, 2006.

Styles, Penne ‘Whose Afraid of Designer Babies’, ATOM, Melbourne, Australia. 

Tessin, Stephanie (2007). Visions of Excess: Orlan's Operational Theater. MA Thesis, Florida State University, http://eprints.soton.ac.uk/165501/3.hasCoversheetVersion/1a_post_viva_21.pdf

THPFKT, Blog entry November 18, 2012. http://thpfkt.wordpress.com/2012/11/18/a-case-study-on-orlan-body-modification/

Tofts, Darren: rhizomes.17 winter 2008 ‘Keep Your Virtual Hands Off Me! Paranoia, Affect and Influencing Machines’. http://www.rhizomes.net/issue17/tofts/index.html

Van Oorschot, Irene, ‘Dissecting the Self: The Reincarnations of Saint-Orlan,

http://www.socialscience.nl/SocialScience/application/upload/files/vol2%20is1%20oorschot.pdf

Verhoeven, W. (2010).  ‘A Degree In Humanity: Artificial Humanity and its Effect on Our Self-Image in Blade Runner and Edward Scissorhands’. Rijksuniversiteit Groningen Master Dissertation,

http://scripties.let.eldoc.ub.rug.nl/FILES/root/Master/DoorstroomMasters/AmericanStudies/2010/Setlia.B./A_Degree_In_Humanity.pdf

Vollert, Janis, thesis University of Mainz (2012)

Watcher, Phyllis E, (2001)  http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/biography/v024/24.4wachter.pdf

Wen-Ling Tseng, Masters Thesis, National Chung Hsing University, China, 2007

Posthumanism: A Theory of Subjectivity, face book https://www.facebook.com/postsubjectivity

Digital Art History blog: http://wiedhanetart.wordpress.com/tag/stelarc/

White, Paul John - blog, 28/01/2010 Researching the uncanny. http://pauljohnwhite.wordpress.com/2010/01/27/